Showing posts with label Boxoffice. Show all posts
Showing posts with label Boxoffice. Show all posts
Wednesday, January 14, 2015
Fast & Furious 6 (2013) Incredible! Thoroughly enjoyable!
Movieshared.net - It's crazy to see that this franchise has gone to a sixth entry, but what is even more surprising is that it's actually been getting better. The first four Fast & The Furious were pretty cheesy action movies that would cater to a certain demography, but when Fast Five came out in 2011, I was very surprised at how much fun I had with it, and If I did review movies back in 2011, that would've been on my Top 10 of Best for the year. Now two years later we have Fast & Furious 6, which takes place where Fast Five finished, Dom (Vin Diesel) and his crew are living large as millionaires but Hobbs (Dwayne Johnson) shows up and needs Dom's help, as a new group of criminals led by Owen Shaw (Luke Evans) is after an important computer chip that could lead to a even bigger threat. But the big reason why Dom and his crew will help out, is because one of Shaw's right hand men is Dom's former lover Letty (Michelle Rodriguez) who died in one of the previous films, but turns out to not be dead. Dom, Brian, Roman, Tej, and everyone else returns to rescue Letty, and clear they're names for good. Now for starters, does this film have the greatest writing or acting in the world, of course not, but it is insanely fun and without a doubt one of the most entertaining films this year. This film is extremely well directed with Justin Lin (Fast Five) at the helm, the action sequences look incredible and every time something big and exciting was about to happen, I was pumped up and was giggling with excitement. In fact, the final action sequence is one of the coolest action scenes I've witnessed in a long time. The pacing is also quick and hardly slows down, whereas for the story is simple and hardly focuses on it, unless it involves the overall message about family and togetherness. Fast & Furious 6 has what was missing out of Pacific Rim, which the problem with Pacific Rim was too much story, not enough action, Fast & Furious 6 is all action, little story, and it works so well. The acting is fine, everyone has been doing these movies for a while so they know what their doing and they do it well. The humor is great as several times I cracked up (most of it is from the comic relief of Tyrese Gibson's Roman), the soundtrack is great, and although the writing is pretty silly, it does serve for some truly perfect quotes. Problems are that logic is thrown out the window for this film, if you think more than you watch, you'll just hate watching this because hardly anything makes sense. And some scenes around the middle go on a little too long, especially the prison scene. But Fast & Furious 6 is comfortable with what kind of film it is, a silly, over the top, but extremely entertaining crowd pleaser. I haven't this much fun with a movie in a long time, all you need to know is fast cars, hot girls, explosions, and muscles. Just leave your brain at home and enjoy the ride.
Inception (2010) Nolan's first true masterpiece
Movieshared.net - Usually I try to be careful with over hyping a film, or setting the expectations too high, as film geeks all are guilty for, however for Christopher Nolan's Inception, this really is not possible.
This is possibly one of the only perfect films I have ever seen. It is absolutely confident in every way, something which is extremely refreshing, even more so than Avatar. Christopher Nolan gets some slack for making great to look at but ultimately heartless affairs, which I for one do not agree with, however I do not think anyone can argue that here. The emotional aspect of this film not only ties it all together but is really the centre of this film, it is the focus.
I do not want to over simplify the film, by simply calling it Kubrick doing Bond, or Gondry on a huge budget, because I am sure it will be called that but it is far more than that, it is something I do not think Kubrick could have ever made. It is pure Nolan, and pure greatness.
I hate writing something which is pure fan-boy gushing, but its really difficult here. I did not find a thing I did not like about it, I am sure if maybe I saw it a second time, maybe I would find something about it I didn't like, but not the first time. The way it is cut, means that there is always action on screen, if not, then the visuals are interesting enough to keep your eyes glued.
The final hour of the film, is possibly one of the most complicated action sequences put on film. You have to constantly be paying attention to remember all of the layers of what is happening. Without spoiling anything, all I have to say is that is what this film is about, that is what makes this film so great, layers. Once you have seen this you will now what I am talking about.
All of the actors are fantastic too, Di Caprio is the stand out here. Yes, this is probably due to the fact he is the star and given all of the emotional weight, but he handles it perfectly, similarly to his performance in Shutter Island. Ellen Page, whom I usually hate, gives a great performance here. Tom Hardy gives a break out performance here, he is quite the bad ass.
I hope audiences are ready for a film like this, a pure auteur driven film which does not sacrifice a single frame for the studio. I would hope this film will change Hollywood, as it is 100 percent the directors vision yet it is definitely a marketable film, much like District 9, yet I do not think it will.
I cannot recommend this film anymore than I have, I just have to say everyone and anyone should see it. Sorry about all the gushing, it is just so hard not too.
This is possibly one of the only perfect films I have ever seen. It is absolutely confident in every way, something which is extremely refreshing, even more so than Avatar. Christopher Nolan gets some slack for making great to look at but ultimately heartless affairs, which I for one do not agree with, however I do not think anyone can argue that here. The emotional aspect of this film not only ties it all together but is really the centre of this film, it is the focus.
I do not want to over simplify the film, by simply calling it Kubrick doing Bond, or Gondry on a huge budget, because I am sure it will be called that but it is far more than that, it is something I do not think Kubrick could have ever made. It is pure Nolan, and pure greatness.
I hate writing something which is pure fan-boy gushing, but its really difficult here. I did not find a thing I did not like about it, I am sure if maybe I saw it a second time, maybe I would find something about it I didn't like, but not the first time. The way it is cut, means that there is always action on screen, if not, then the visuals are interesting enough to keep your eyes glued.
The final hour of the film, is possibly one of the most complicated action sequences put on film. You have to constantly be paying attention to remember all of the layers of what is happening. Without spoiling anything, all I have to say is that is what this film is about, that is what makes this film so great, layers. Once you have seen this you will now what I am talking about.
All of the actors are fantastic too, Di Caprio is the stand out here. Yes, this is probably due to the fact he is the star and given all of the emotional weight, but he handles it perfectly, similarly to his performance in Shutter Island. Ellen Page, whom I usually hate, gives a great performance here. Tom Hardy gives a break out performance here, he is quite the bad ass.
I hope audiences are ready for a film like this, a pure auteur driven film which does not sacrifice a single frame for the studio. I would hope this film will change Hollywood, as it is 100 percent the directors vision yet it is definitely a marketable film, much like District 9, yet I do not think it will.
I cannot recommend this film anymore than I have, I just have to say everyone and anyone should see it. Sorry about all the gushing, it is just so hard not too.
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12 Years a Slave (2013) Another masterpiece from McQueen
Movieshared.net - The film is based on the real story of Solomon Northup (played by Chiwetel Ejiofor), a free black man living in New York, who is abducted and sold into slavery in Louisiana. As the film begins, we are exposed to his talent as a musician (he plays the violin) and get a glimpse of the life he leads with his wife and two children. All is well until he meets two men who seem taken by his music and want to bring him along with them so he can play at various events. When Solomon wakes up in chains, his dark journey starts and the film never lets you take a break.
If you've seen McQueen's other works then you more or less know what kind of movie to expect (if you haven't then please stop reading and watch Hunger and Shame). 12 Years a Slave is dark and raw, it exposes everything, without sugarcoating it. It is definitely hard to watch; Several people walked out of the the theatre but in my opinion, it is not only worth watching but necessary. Films exploring themes of slavery are few and far in between and never has one been quite as exhaustive and effective as this one. Beautifully shot and edited, the film features moments of tension, heartbreak and a few laughs here and there. Steve McQueen has created another masterpiece.
Most actors get very little screen time. Paul Giamatti and Sarah Paulson are seen for a few minutes but both are great as usual. Benedict Cumberbatch plays a plantation owner, who recognizes Solomon's talent and tries to help him to a certain extent. Despite being a slaver, he is presented in the film as being a good man. Cumberbatch was very good, though outshined by far by Michael Fassbender. He goes through every emotion and gives it his everything. In my opinion, this is his best performance to date. Paul Dano gets a few minutes of screen time as well but makes incredible use of it. As Benedict's worker, he despises slaves and the songs he sings to Solomon makes an incredibly powerful scene, one of the most disturbing in the film. Lupita Nyong'o's first appearance in a feature film is stunning, as she plays a heart breaking young slave. I hope she has a long career ahead of her, she certainly has the talent for it. The true star is definitely Chiwetel Ejiofor. His performance as Solomon is stunning and unforgettable, I truly hope he wins the Oscar for it this year.
All in all, if you get a chance to see 12 Years a Slave, don't miss it. Not everyone will be able to stomach it but it's an outstanding film that deserves and needs to be seen.
If you've seen McQueen's other works then you more or less know what kind of movie to expect (if you haven't then please stop reading and watch Hunger and Shame). 12 Years a Slave is dark and raw, it exposes everything, without sugarcoating it. It is definitely hard to watch; Several people walked out of the the theatre but in my opinion, it is not only worth watching but necessary. Films exploring themes of slavery are few and far in between and never has one been quite as exhaustive and effective as this one. Beautifully shot and edited, the film features moments of tension, heartbreak and a few laughs here and there. Steve McQueen has created another masterpiece.
Most actors get very little screen time. Paul Giamatti and Sarah Paulson are seen for a few minutes but both are great as usual. Benedict Cumberbatch plays a plantation owner, who recognizes Solomon's talent and tries to help him to a certain extent. Despite being a slaver, he is presented in the film as being a good man. Cumberbatch was very good, though outshined by far by Michael Fassbender. He goes through every emotion and gives it his everything. In my opinion, this is his best performance to date. Paul Dano gets a few minutes of screen time as well but makes incredible use of it. As Benedict's worker, he despises slaves and the songs he sings to Solomon makes an incredibly powerful scene, one of the most disturbing in the film. Lupita Nyong'o's first appearance in a feature film is stunning, as she plays a heart breaking young slave. I hope she has a long career ahead of her, she certainly has the talent for it. The true star is definitely Chiwetel Ejiofor. His performance as Solomon is stunning and unforgettable, I truly hope he wins the Oscar for it this year.
All in all, if you get a chance to see 12 Years a Slave, don't miss it. Not everyone will be able to stomach it but it's an outstanding film that deserves and needs to be seen.
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Tuesday, January 13, 2015
The Grand Budapest Hotel (2014) - A perfect holiday without leaving home
Movieshared.net - It has often been said that Wes Anderson walks the fine line between folly and genius. In the "Grand Budapest Hotel", however, this distinction no longer exists: the ridiculous becomes brilliant, and brilliant has never been this ridiculous.
It is his best work, or at least the film which has all of Anderson's creative impulses working in one direction, producing a coherent work of art. His films have always been quirky, charming and out-of-this world, but never before has the audience been immersed in Andersonland as fully as with this film. The colours, the camera movement that switches between different parts of the set, the music, the lens angle distortion, the ridiculously stellar cast, all of Anderson's trademark elements, combine to produce the ultimate Anderson film. The absolutely ridiculous CGI is used perfectly to add to the surrealism of the movie. It is also extremely well crafted, not only visually, but structurally. Unlike some of his previous work, the editing, the pacing and the rhythm of "Budapest" are pitch-perfect.
Is it a great film? I'm not sure. It does not attempt to cope with the issues of death, love, despair, the big ones. On the other hand, it seeps with nostalgia, a bittersweet longing for an age long past, and the fascinating characters it produced. It is technically a detective comedy, and one has to note that the genre seems to suit Anderson's peculiar brand of filmmaking very well. But never before has Hitchcock's Macguffin been as explicitly embodied as by the "Boy With the Apple". The plot is merely a mechanism that allows Anderson to transport his vision onto the screen, a vision of a peculiar world seemingly different from our own, but filled with just as much loss and, at the same time, human compassion as ours. There is comedy, but its either very subtle or incredibly over the top, and most viewers are uncomfortable with both. There isn't a single 'ordinary shot', pretty much every image is out of place to such an extent that they begin to form one coherent film, and a fantastic one at that
It is his best work, or at least the film which has all of Anderson's creative impulses working in one direction, producing a coherent work of art. His films have always been quirky, charming and out-of-this world, but never before has the audience been immersed in Andersonland as fully as with this film. The colours, the camera movement that switches between different parts of the set, the music, the lens angle distortion, the ridiculously stellar cast, all of Anderson's trademark elements, combine to produce the ultimate Anderson film. The absolutely ridiculous CGI is used perfectly to add to the surrealism of the movie. It is also extremely well crafted, not only visually, but structurally. Unlike some of his previous work, the editing, the pacing and the rhythm of "Budapest" are pitch-perfect.
Is it a great film? I'm not sure. It does not attempt to cope with the issues of death, love, despair, the big ones. On the other hand, it seeps with nostalgia, a bittersweet longing for an age long past, and the fascinating characters it produced. It is technically a detective comedy, and one has to note that the genre seems to suit Anderson's peculiar brand of filmmaking very well. But never before has Hitchcock's Macguffin been as explicitly embodied as by the "Boy With the Apple". The plot is merely a mechanism that allows Anderson to transport his vision onto the screen, a vision of a peculiar world seemingly different from our own, but filled with just as much loss and, at the same time, human compassion as ours. There is comedy, but its either very subtle or incredibly over the top, and most viewers are uncomfortable with both. There isn't a single 'ordinary shot', pretty much every image is out of place to such an extent that they begin to form one coherent film, and a fantastic one at that
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Boyhood (2014) This is life!
Movieshared.net - This film blew me away and it is hard to describe why. Seeing it together with 1,500+ captivated and enthusiastic people at one of the Berlinale Friedrichstadt-Palast screenings surly helped. Yet, what makes this film so unique and touching is its deep humanity. Although it is a fictional piece, you can't help not to relate to the actors as if it would be a documentary. Every scene feels like real life. I know that this is not necessarily a good thing to say about a movie but it is meant as a compliment.
The actors deliver an outstanding performance. While much has already been said about the main characters, I was also deeply impressed by the performance of the side characters as well. As an example, the actor of the second husband of Olivia excels in one of the most emotionally straining scenes of the movie. The dialogs are touching and feel just natural. There are so many scenes and details in the movie where you feel unbelievable close to the actors. When Patricia Arquette says as mother Olivia "I thought there would be more" you instantly think about your own (family) life and its constant flux.
I surely hope that this movie will make it to as many screens as possible. Also, I hope that no distributor will force additional editing on it. It is perfect as it is and worth any minute. If you like people in general and families in particular, you will love this movie.
The actors deliver an outstanding performance. While much has already been said about the main characters, I was also deeply impressed by the performance of the side characters as well. As an example, the actor of the second husband of Olivia excels in one of the most emotionally straining scenes of the movie. The dialogs are touching and feel just natural. There are so many scenes and details in the movie where you feel unbelievable close to the actors. When Patricia Arquette says as mother Olivia "I thought there would be more" you instantly think about your own (family) life and its constant flux.
I surely hope that this movie will make it to as many screens as possible. Also, I hope that no distributor will force additional editing on it. It is perfect as it is and worth any minute. If you like people in general and families in particular, you will love this movie.
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Monday, January 12, 2015
District 9 (2009) Expect the unexpected
Movieshared.net - I caught an early screening of this movie last night. I went into it with high expectations considering the high ratings it has been getting already. My expectations were not high enough however because this film exceeded my them in every way possible.
I will not go far into detail because I would prefer to not spoil anything. This is unlike any sci-fi we have seen in years. Forget Terminator 3 and 4, forget the AVP movies, forget all those laughable sci-fi movies, this film is what we have been waiting for. An original idea, an original concept, brilliantly executed, great CGI, good acting, it just has it all. We have seen many aliens come to earth movies, but this is different, I will not say why though. That is for you to find out when you see it, which I HIGHLY recommend you do.
This movie, quality-wise, matches up with the popular Sci-Fi films we love. The original Alien, the original Predator, The Matrix, Star Wars, etc. While I enjoyed those ones more because they are classics, this one clearly meets the standards we expect today when it comes to quality. A big driving force behind this, in my opinion, is the fact that high esteemed Peter Jackson is behind this project as the producer. After seeing his masterful Lord of the Rings saga, anyone can see that he knows what he is doing.
As far as movies for this year, this is definitely top 5 so far on my list (Up, Star Trek, 500 Days of Summer, HP6, and District 9). Thank you Jackson and Hollywood for finally producing the best Sci-Fi in years. If this movie does not make its way to IMDb top 250 then I will be in awe.
See this movie!
The Lego Movie (2014) Childhood Awesomeness
Movieshared.net - "The Lego Movie" was an awesome, super creative, and extremely satisfying film for all ages- that is, if you have ever played with Legos. Even people that have never bought a Lego set will this enjoy this awesomely humorous and in the end, heartfelt movie.
(Notice I am using the word awesome a lot, because one cannot stop singing the "Everything is awesome" song played in the movie. Too catchy!)
The creators did a wonderful job putting all the classic things about Legos and making a new movie packed with humor.
The voice actors were outstanding. You can tell they really enjoyed doing the movie and put in a lot of effort. Liam Neeson was fantastic as the Good Cop/Bad Cop. But the most credit to the success of this movie goes to Will Farrell who played the villain, President Business. He gives such a great effort in this movie which allows you to laugh, smile, and want more Lego awesomeness.
I give the Lego movie a big two thumbs up and is by far the best picture I've seen in a few months. Highly recommend this movie to all Lego lovers who have a passion to build and create something awesome, just like the movie makers created this amazingly, AWESOME, film.
(Notice I am using the word awesome a lot, because one cannot stop singing the "Everything is awesome" song played in the movie. Too catchy!)
The creators did a wonderful job putting all the classic things about Legos and making a new movie packed with humor.
The voice actors were outstanding. You can tell they really enjoyed doing the movie and put in a lot of effort. Liam Neeson was fantastic as the Good Cop/Bad Cop. But the most credit to the success of this movie goes to Will Farrell who played the villain, President Business. He gives such a great effort in this movie which allows you to laugh, smile, and want more Lego awesomeness.
I give the Lego movie a big two thumbs up and is by far the best picture I've seen in a few months. Highly recommend this movie to all Lego lovers who have a passion to build and create something awesome, just like the movie makers created this amazingly, AWESOME, film.
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Saturday, January 10, 2015
UP (2009) Drag me to heaven
Movieshared.net - UP, Pixar's latest animated feature, is just delightful. But how do you go about extolling the movie's virtues without giving away its surprises? Like the kid at the beginning of the movie, you don't try to conquer the immovable force; you work around it.
The one clue I can give away – because it's the movie's heavily hyped premise – is that Carl Fredrickson, a gruffy old widower (voiced with gruffy old charm by Ed Asner), miraculously inflates enough balloons to use his house as an aircraft. Soon, he finds himself reluctantly sharing his ride with a short-attention-spanned kid named Russell.
I'll also mention a couple of other items that can gauge your potential interest in the movie. One is a gag that is a take-off on a famous painting – perhaps too inside of an inside joke, but typical of Pixar's cheery attempts to appeal to viewers of all ages.
Also, part of the plot involves Carl's long-held wish to meet a Lindbergh-type adventurer named Charles Muntz (Christopher Plummer!). This is another in-joke that's even vaguer than the first one. Cartoon historians know that Walt Disney started in the cartoon biz by creating Oswald the Rabbit for producer Charles Mintz, who then greedily stole the rights to Disney's creation. This gives you a pretty good idea where the ostensible hero Muntz stands in the scheme of things.
Beyond that, I can only offer you some enticing clues about the characters. There's a dog who's the leader of his pack and in menacing beyond measure, until he opens his mouth and gets one of the movie's biggest laughs. There's a huge, awkward bird that is a big laugh-getter at first. Then she becomes a real enough character that – at least in the audience I was in – when she's injured, she elicits screams of fright worthy of Bambi's late mother.
There's surprising, heartfelt emotion, vivid imagery (you can almost touch the landscapes and skies), and a music score by Michael Giacchino that's practically a character in the movie – particularly in a thoughtful montage that takes Carl from childhood to widowhood.
There aren't many (or at least not enough) live-action movies that are engrossing as this cartoon. Pixar Studios has gotten to be one of those movie icons that shouldn't even have to deliver a premise to get funded anymore. The moneymen should just shut up, hand over the money, and trust they'll get a product that will appeal to everyone.
UP is only the second Pixar feature to get a PG rating, only for mildly intense imagery and action – nothing off-color in the least. Again, if you can handle "Bambi," this film should be a breeze.
The one clue I can give away – because it's the movie's heavily hyped premise – is that Carl Fredrickson, a gruffy old widower (voiced with gruffy old charm by Ed Asner), miraculously inflates enough balloons to use his house as an aircraft. Soon, he finds himself reluctantly sharing his ride with a short-attention-spanned kid named Russell.
I'll also mention a couple of other items that can gauge your potential interest in the movie. One is a gag that is a take-off on a famous painting – perhaps too inside of an inside joke, but typical of Pixar's cheery attempts to appeal to viewers of all ages.
Also, part of the plot involves Carl's long-held wish to meet a Lindbergh-type adventurer named Charles Muntz (Christopher Plummer!). This is another in-joke that's even vaguer than the first one. Cartoon historians know that Walt Disney started in the cartoon biz by creating Oswald the Rabbit for producer Charles Mintz, who then greedily stole the rights to Disney's creation. This gives you a pretty good idea where the ostensible hero Muntz stands in the scheme of things.
Beyond that, I can only offer you some enticing clues about the characters. There's a dog who's the leader of his pack and in menacing beyond measure, until he opens his mouth and gets one of the movie's biggest laughs. There's a huge, awkward bird that is a big laugh-getter at first. Then she becomes a real enough character that – at least in the audience I was in – when she's injured, she elicits screams of fright worthy of Bambi's late mother.
There's surprising, heartfelt emotion, vivid imagery (you can almost touch the landscapes and skies), and a music score by Michael Giacchino that's practically a character in the movie – particularly in a thoughtful montage that takes Carl from childhood to widowhood.
There aren't many (or at least not enough) live-action movies that are engrossing as this cartoon. Pixar Studios has gotten to be one of those movie icons that shouldn't even have to deliver a premise to get funded anymore. The moneymen should just shut up, hand over the money, and trust they'll get a product that will appeal to everyone.
UP is only the second Pixar feature to get a PG rating, only for mildly intense imagery and action – nothing off-color in the least. Again, if you can handle "Bambi," this film should be a breeze.
Deadfall (2012) - Decent story, interesting, thrilling, violent and good performances
Movieshared.net - DEADFALL is about a criminal brother and sister duo Addison and Liza (Eric Bana, Olivia Wilde) who separate in freezing blizzard conditions after their car hits a deer and kills their driver. Addison begins a killing spree which police are soon on the scene warning nearby residents that he is on the loose.
Liza meanwhile is on the verge of freezing to death when she is picked up by Jay (Charlie Hunnam), a man just released from prison who was planning on visiting his folks for thanksgiving (Kris Kristofferson and Sissy Spacek). What this all leads up to is a relationship blossoming between Jay and Liza and Addison finding out information about his sisters whereabouts and holding Jay's parent hostage in the family home.
This final 20 minute segment is where the main actors shine: Bana is incredibly disturbing as the villain taking control of the situation; Wilde displays the perfect blend of manipulation, ambiguity and in the end, good heartedness; Kristofferson honestly looked comatomsed the entire film and Spacek had an unsettling calmness about her despite having a gun pointed at her head for half of her performance. The awfully cute and decent Kate Mara is also prominently featured as a young female cop assisting into the investigation, and her asshole sergeant father is played by Treat Williams. Recommended, a decent movie with plenty of thrills and enjoyable story.
Liza meanwhile is on the verge of freezing to death when she is picked up by Jay (Charlie Hunnam), a man just released from prison who was planning on visiting his folks for thanksgiving (Kris Kristofferson and Sissy Spacek). What this all leads up to is a relationship blossoming between Jay and Liza and Addison finding out information about his sisters whereabouts and holding Jay's parent hostage in the family home.
This final 20 minute segment is where the main actors shine: Bana is incredibly disturbing as the villain taking control of the situation; Wilde displays the perfect blend of manipulation, ambiguity and in the end, good heartedness; Kristofferson honestly looked comatomsed the entire film and Spacek had an unsettling calmness about her despite having a gun pointed at her head for half of her performance. The awfully cute and decent Kate Mara is also prominently featured as a young female cop assisting into the investigation, and her asshole sergeant father is played by Treat Williams. Recommended, a decent movie with plenty of thrills and enjoyable story.
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The Boxtrolls (2014) A fun film, Roald Dahl like darkness
Movieshared.net - The "animation" genre now has a common trait: it is known for broader gags, bullet speed pacing, and eye candy visuals, but out of many animation studios out there, Laika Entertainment could be the only one that stays loyal to their own direction. Aside of the stop- motion animation and love to the horror movie camp, their storytelling and themes are equally unconventional, though charmingly daring at best. The Boxtrolls is no different from their last two movies, except this one might be gentler, but the strangeness is still there intact. And by those merit, the experience becomes special.
It might get immediately be assumed that the film has the same moral of 2012's ParaNorman. It does have that feeling: strange people being treated as outcasts by everybody and describes their fear to them out of caricatures. But the film tends to explore more messages beneath besides of that, if you can get behind with the whole rescue plan stuff, you may also get to notice that it's really about separating people's common views and expectations from the reality; like the Boxtrolls they're against with aren't actually bad creatures, or some fathers turn out to be not as supportive as they're supposed to be, or even the difference between being good and bad. The sentiment may sound a little familiar, but the delivery here is often steady and bitter to acknowledge its sincerity, and it indeed makes it remarkable.
As for the animation, there's no hiding for the love of the horror movie aesthetics. The world already looks magnificently whimsical as the filmmakers transcend their stop-motion animating abilities by making grander and crazier set pieces and physical comedy, but when it comes to featuring its creature and character designs, the camp just brings lots of it to life, some parent might find it a little creepy for smaller children, but if they don't even bother then there is no denying how beautiful they're designed anyway. In another angle, it offers a larger extent of warmth compared to many family movies today. The nearly wordless montage of the Boxtroll Fish raising young Eggs is one of the sweetest things you would see in recent memory, while the sadder montage at the middle act could surprisingly be affecting. These storytellers just know how to drive emotions. Among the voice actors, Ben Kingsley predictably becomes the best. He brings the main pizazz as both the villain and his hilarious drag disguise. Isaac Hempstead Wright and Elle Fanning are great as well, giving their characters the personalities they need. There are more big names (mentioning the favorites like Simon Pegg and Richard Ayoade) that bring the extra fun of the film.
The Boxtrolls is probably going to be the least attraction for the animation genre this year, mostly because it's nearly apart from the comfort zone of today's entertainment. If you don't care about trends, then this movie is a treat, and as usual from its studio, the overall film is dark, campy, but visually stunning and eventually endearing. They still haven't changed and I hope it always stays that way, especially the monster movie tribute and strong heart and perspective towards things. The Boxtrolls proves that these types of animated films shouldn't be antique yet, there is a huge value to its quality and moviegoers should once again encounter it
It might get immediately be assumed that the film has the same moral of 2012's ParaNorman. It does have that feeling: strange people being treated as outcasts by everybody and describes their fear to them out of caricatures. But the film tends to explore more messages beneath besides of that, if you can get behind with the whole rescue plan stuff, you may also get to notice that it's really about separating people's common views and expectations from the reality; like the Boxtrolls they're against with aren't actually bad creatures, or some fathers turn out to be not as supportive as they're supposed to be, or even the difference between being good and bad. The sentiment may sound a little familiar, but the delivery here is often steady and bitter to acknowledge its sincerity, and it indeed makes it remarkable.
As for the animation, there's no hiding for the love of the horror movie aesthetics. The world already looks magnificently whimsical as the filmmakers transcend their stop-motion animating abilities by making grander and crazier set pieces and physical comedy, but when it comes to featuring its creature and character designs, the camp just brings lots of it to life, some parent might find it a little creepy for smaller children, but if they don't even bother then there is no denying how beautiful they're designed anyway. In another angle, it offers a larger extent of warmth compared to many family movies today. The nearly wordless montage of the Boxtroll Fish raising young Eggs is one of the sweetest things you would see in recent memory, while the sadder montage at the middle act could surprisingly be affecting. These storytellers just know how to drive emotions. Among the voice actors, Ben Kingsley predictably becomes the best. He brings the main pizazz as both the villain and his hilarious drag disguise. Isaac Hempstead Wright and Elle Fanning are great as well, giving their characters the personalities they need. There are more big names (mentioning the favorites like Simon Pegg and Richard Ayoade) that bring the extra fun of the film.
The Boxtrolls is probably going to be the least attraction for the animation genre this year, mostly because it's nearly apart from the comfort zone of today's entertainment. If you don't care about trends, then this movie is a treat, and as usual from its studio, the overall film is dark, campy, but visually stunning and eventually endearing. They still haven't changed and I hope it always stays that way, especially the monster movie tribute and strong heart and perspective towards things. The Boxtrolls proves that these types of animated films shouldn't be antique yet, there is a huge value to its quality and moviegoers should once again encounter it
Friday, January 9, 2015
The Lord of the Rings: The Return of the King (2003) - They saved the best for last
Movieshared.net - Obviously, I'm aware of the fact that the Lord of the Rings trilogy is actually one giant movie, but since it was released in parts, that's how I'm judging them. The Return Of The King is the final chapter, and since it is the climax and resolution of the epic journey, it has a little more intensity and urgency than the previous installments.
At this point everyone has come to know and love all of the characters, and the stakes have become tremendously high. Kingdoms are at their knees, and the only two characters who can save the day are getting weaker and weaker. The tension was very high in this episode and I can honestly say that out of all 3 this was the only one that had me on the edge of my seat. There were many memorable scenes (one of my favourites including the part with the giant spider)that made this the classic that it is sure to stay for decades to come.
This is the longest of the series, mostly because of the ending that seems to last a while. This was a good ending, and I can see why Frodo did what he did. He, and us the audience, have gone through an incredible ordeal and I think we needed that 20 minute linger. When the battle is over, and the celebrations have ended, there is a sad emptiness felt. The films spanned over 3 years, there have been the extended cuts of course, but after that, it's all over. Peter Jackson gave us an ending that was both appropriate and admirable.
These were some amazing movies and this one in particular is the best, in my opinion. As whole, the Lord Of The Rings is a phenomenon. An absolute phenomenon. Much more than just movies. They have a universal appeal and have touched the hearts and imaginations of millions. I'm one of them.
Sorry if I'm being all fanboyish and kissing this movie's ass, but I really admire it. It may not be among my personal favourites but generally this seems to be the movie event of the century. There will never be another Lord of the Rings film, and that's a bit depressing
At this point everyone has come to know and love all of the characters, and the stakes have become tremendously high. Kingdoms are at their knees, and the only two characters who can save the day are getting weaker and weaker. The tension was very high in this episode and I can honestly say that out of all 3 this was the only one that had me on the edge of my seat. There were many memorable scenes (one of my favourites including the part with the giant spider)that made this the classic that it is sure to stay for decades to come.
This is the longest of the series, mostly because of the ending that seems to last a while. This was a good ending, and I can see why Frodo did what he did. He, and us the audience, have gone through an incredible ordeal and I think we needed that 20 minute linger. When the battle is over, and the celebrations have ended, there is a sad emptiness felt. The films spanned over 3 years, there have been the extended cuts of course, but after that, it's all over. Peter Jackson gave us an ending that was both appropriate and admirable.
These were some amazing movies and this one in particular is the best, in my opinion. As whole, the Lord Of The Rings is a phenomenon. An absolute phenomenon. Much more than just movies. They have a universal appeal and have touched the hearts and imaginations of millions. I'm one of them.
Sorry if I'm being all fanboyish and kissing this movie's ass, but I really admire it. It may not be among my personal favourites but generally this seems to be the movie event of the century. There will never be another Lord of the Rings film, and that's a bit depressing
The Lord of the Rings: The Fellowship of the Ring (2001) One of the greatest films of all time
Movieshared.net - Star Wars has been dethroned. Although George Lucas' movies are good in their own right (except for the juvenile elements he puts in to sell toys to finance the franchise), his scripts (which borrow heavily from J.R.R.Tolkien, mythology & religion) can't compare with the brilliance of the literary trilogy `The Lord of the Rings'. Granted, Lucas took on a herculean task in writing & directing his story himself, but Tolkien's words, along with Peter Jackson's faithful adaptation & inspired vision, have created something no one man could equal.
Of course, it helps that Jackson insisted on at least a 2 picture deal, & New Line Cinema was brave enough to foot the bill up front for 3 movies. They spent $180 million to film all 3 simultaneously. With the New Zealand exchange rate, that equals $360 million ($90 million ea.), but since they used many of the same sets, and FX development costs were spread throughout, we're seeing $120-$150 million on the screen. This will ensure consistency in plot, casting, tone, etc.
In 3 hours, Jackson has crammed everything essential from the first novel & then some into the film, rewriting some scenes & dialogue with lesser characters for the leads, leaving out only what there wasn't enough time for. Basically, you have two 90 min. movies running back to back. There are no slow spots, just one climax after another. From the opening 10 min. backstory where the Dark Lord Sauron is shown on the battlefield wiping out men & elves 10 at a time with each swing of his mace, I was blown away. The romance between Aragorn, king in exile, and Arwen, daughter of the elf-lord, is played up for the "Titanic" quotient, but it's well done.
The story, sets, costumes & FX are so rich, you'll have to see the film several times to absorb everything. The unspoiled New Zealand locales are spectacular, providing a variety of environments to represent the different settings on the characters' journey. The location sets are imaginative, detailed & weathered, adding to their believability, while the studio sets match them in meticulousness. The costumes are at once familiar & strange, drawing on both the medievil & the fantastic, but more important, they're also functional & practical. The music by Howard Shore is appropriately sweeping, Celtic & folky in keeping with the novel, although it lacks the memorable themes of John Williams or Jerry Goldsmith, but neither would commit a year or more to a 3 picture project. The FX are as they should be, unobtrusive & unnoticed most of the time, there only to support the story not draw attention away from it as in most Hollywood movies which try to coverup illogical plots & bad acting.
I'm particularly gratified by the casting of Viggo Mortenson as Aragorn which was a last minute stroke of luck when the actor first chosen for the part backed out due to differences with the director. I've always thought Mortenson had an intensity & striking but not pretty-boy looks that could portray a flawed, dangerous hero instead of the villains Hollywood always picked him for.
A stellar cast giving some of their best performances, visuals that deliver beyond what I imagined, a perfect mix of humor, passion & tragedy, and a feeling of grandeur, scope & impending doom. Perhaps as an ensemble piece with so many characters & the inability to concentrate on any one, it can't be measured against some of the classic character study films, but even the casual moviegoer can grasp the ideas & not get lost As far as I'm concerned, it's one of the greatest films of all time
Of course, it helps that Jackson insisted on at least a 2 picture deal, & New Line Cinema was brave enough to foot the bill up front for 3 movies. They spent $180 million to film all 3 simultaneously. With the New Zealand exchange rate, that equals $360 million ($90 million ea.), but since they used many of the same sets, and FX development costs were spread throughout, we're seeing $120-$150 million on the screen. This will ensure consistency in plot, casting, tone, etc.
In 3 hours, Jackson has crammed everything essential from the first novel & then some into the film, rewriting some scenes & dialogue with lesser characters for the leads, leaving out only what there wasn't enough time for. Basically, you have two 90 min. movies running back to back. There are no slow spots, just one climax after another. From the opening 10 min. backstory where the Dark Lord Sauron is shown on the battlefield wiping out men & elves 10 at a time with each swing of his mace, I was blown away. The romance between Aragorn, king in exile, and Arwen, daughter of the elf-lord, is played up for the "Titanic" quotient, but it's well done.
The story, sets, costumes & FX are so rich, you'll have to see the film several times to absorb everything. The unspoiled New Zealand locales are spectacular, providing a variety of environments to represent the different settings on the characters' journey. The location sets are imaginative, detailed & weathered, adding to their believability, while the studio sets match them in meticulousness. The costumes are at once familiar & strange, drawing on both the medievil & the fantastic, but more important, they're also functional & practical. The music by Howard Shore is appropriately sweeping, Celtic & folky in keeping with the novel, although it lacks the memorable themes of John Williams or Jerry Goldsmith, but neither would commit a year or more to a 3 picture project. The FX are as they should be, unobtrusive & unnoticed most of the time, there only to support the story not draw attention away from it as in most Hollywood movies which try to coverup illogical plots & bad acting.
I'm particularly gratified by the casting of Viggo Mortenson as Aragorn which was a last minute stroke of luck when the actor first chosen for the part backed out due to differences with the director. I've always thought Mortenson had an intensity & striking but not pretty-boy looks that could portray a flawed, dangerous hero instead of the villains Hollywood always picked him for.
A stellar cast giving some of their best performances, visuals that deliver beyond what I imagined, a perfect mix of humor, passion & tragedy, and a feeling of grandeur, scope & impending doom. Perhaps as an ensemble piece with so many characters & the inability to concentrate on any one, it can't be measured against some of the classic character study films, but even the casual moviegoer can grasp the ideas & not get lost As far as I'm concerned, it's one of the greatest films of all time
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Thursday, January 8, 2015
The Bag Man (2014) Dark and Gritty
Movieshared.net - If you like films like Pulp Fiction or Reservoir Dogs than you'll love the Bag Man. Really good neo noir film with dark humor and a gritty, hip, edgy factor. John Cusack is great as "Jack" the hit-man assigned by Robert De Niro to look after a mysterious bag with unknown contents. Most of the film takes place at a seedy motel that's the perfect setting for an offbeat crime thriller like this. Very cool, and a lot of fun. Also, look for Rebecca Da Costa the film's mysterious heroine to become a big star. She's not only stunning, but also a very good actress. As a big fan of the mysterious Tarantino-esque films, I would definitely recommend this to anyone looking for a fun flick.
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Monday, January 5, 2015
The Woman in Black 2: Angel of Death (2014) A Good Ghost Story
Movieshared.net - I honestly just thought this film was incredible. after watching the first film which was a creepy and jumpy film i went into the second one with low expectations. regards to other reviewers it did rely on cheap jump scares. But i have to say i enjoyed the story line as a whole i found it very interesting and i got stuck into it. being a horror film lover it does take a lot to make me jump, this one did get me quite a few times it had very little tension. It was like the director was just throwing random jump scares very so often and those scares relied on kids jumping out and also crows flight against the window. However during the last 20 minutes you see a few scary faces which are quite creepy, on a whole i gave the money an 8 out 10, it was a really interesting and jumpy sequel it was a lot of fun to watch i would recommend it to see your friends and family jump a lot :)
Saturday, January 3, 2015
21 Jump Street (2012) - Best Comedy so far of 2012
movieshared.net - So if you like Jonah Hill and comedies with really great cameo appearances, I think you would definitely like this movie.
I must admit I expected this to be at the same standard as maybe The Change-Up or The Hangover Part II which weren't terrible movies, but they weren't the funniest movies I have seen either. This movie is more on par with The Hangover (the first installment), Superbad and Anchorman.
The chemistry between Jonah Hill and Channing Tatum is brilliant, and it's nice to see Tatum in something other than his standard rom-com or "rom" setting. I was already laughing from the first scene, which is generally hard to do and the humour was the correct balance of wit and slapstick. There were actually a lot more clever jokes than I expected and there were some scenes were I couldn't even control my laughter in a full cinema.
All in all, I'm not saying this movie is for everyone but the way I would tell you to see it is if you like Jonah Hill's ridiculous dialogue with sometimes unnecessary swears and you have no expectations of it being anything like the original TV show, I would definitely recommend this one! Best comedy film in 2012
I must admit I expected this to be at the same standard as maybe The Change-Up or The Hangover Part II which weren't terrible movies, but they weren't the funniest movies I have seen either. This movie is more on par with The Hangover (the first installment), Superbad and Anchorman.
The chemistry between Jonah Hill and Channing Tatum is brilliant, and it's nice to see Tatum in something other than his standard rom-com or "rom" setting. I was already laughing from the first scene, which is generally hard to do and the humour was the correct balance of wit and slapstick. There were actually a lot more clever jokes than I expected and there were some scenes were I couldn't even control my laughter in a full cinema.
All in all, I'm not saying this movie is for everyone but the way I would tell you to see it is if you like Jonah Hill's ridiculous dialogue with sometimes unnecessary swears and you have no expectations of it being anything like the original TV show, I would definitely recommend this one! Best comedy film in 2012
Friday, January 2, 2015
Watch Predestination (2014) Online - A unique and decidedly dark sci-fi film
"Predestination" is an incredibly original and creative film, employing what may seem like 'common' aspects of the science-fiction genre, and putting a darker, grimmer twist on them. Time travel is handled quite well in this Australian film, focusing less on the effects of travelling back (and forth) in time than other sci-fi films. "Predestination" uses decidedly odd pacing, beginning with a 'bang' and following that up with almost an hour of subdued plot. But oddly enough, these moments of -almost- pure dialogue and occasional flashbacks never become boring, but rather deepen the film's characters and their back-stories. The cast performances are what really make this movie 'shine'. Ethan Hawke, as usual, delivers an almost flawless performance as the unnamed lead, and Sarah Snook, an Australian newcomer, surprises with her wide range of acting abilities. Overall, the third feature film by the Spierig Brothers is a surprisingly original, daring, and genre-bending film.
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Non-stop thrills and suspense!
Non-stop movie - This is an action-thriller starring Liam Neeson as U.S. Air Marshal Bill Marks who, while boarding a flight to London, receives text messages from an unknown assailant, threatening that if he doesn't transfer $150 million to an account, a fatality will occur on the plane every 20 minutes unless Marks complies with the money request.
The film starts off with some intrigue, showing Marks depressed, consuming alcohol and having a couple of run-ins with some passengers before he boards the plane, already giving the audience the impression that Marks is a disturbed person and making us eager to know what his background story is. Jen Summers (Julianne Moore) sits next to Marks on the plane, whose background story is also a mystery until later on in the film, providing us with another interesting subplot.
However, the main plot and action come almost immediately after the plane takes to the air when Marks starts receiving the threatening text messages. What follows is a suspenseful game of cat and mouse as Marks attempt to find the perpetrator and, when the casualties start to mount, it becomes a thrilling roller-coaster ride.
The screenwriter team wrote an exhilarating story that really captures the audience attention from start to finish and Jaume Collet-Serra directed a solid plot that kept the movie's pace going strong, leaving no room with unnecessary fillers that tends to drag the story. There are a few camp and corny moments here and there, but the acting was realistic and believable enough to keep the movie dramatic and engaging.
Overall, it's a great action film that is full of twists and turns that will make you glued to the screen and have you guessing the unpredictable outcomes. Highly recommended.ed from the first minute.
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Thursday, January 1, 2015
Watch The Call (2013) Live Streaming - Good Movie... will keep you on the edge of your seat.
This was a good thriller and it sucks you in right from the start. There is no down time and at no point does the movie get slow as many thrillers do. One thing is for sure, You wont be able to take a potty break!
Of course the movie does have some weak points but what movies don't? My main grip would be the ending, it seemed kind of lazy, but I think they wanted to make it somewhat realistic... maybe? This movie is not going to win any awards or anything like that, but it is fun to watch. So, if you enjoy thrillers, you won't be disappointed with this one! So, go ahead and check it out, don't be over critical, just enjoy it for what it is, a fun, on the edge of your seat thriller that will get and keep you engaged from the first minute.
Of course the movie does have some weak points but what movies don't? My main grip would be the ending, it seemed kind of lazy, but I think they wanted to make it somewhat realistic... maybe? This movie is not going to win any awards or anything like that, but it is fun to watch. So, if you enjoy thrillers, you won't be disappointed with this one! So, go ahead and check it out, don't be over critical, just enjoy it for what it is, a fun, on the edge of your seat thriller that will get and keep you engaged from the first minute.
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