Movieshared.net - "The Lego Movie" was an awesome, super creative, and extremely satisfying film for all ages- that is, if you have ever played with Legos. Even people that have never bought a Lego set will this enjoy this awesomely humorous and in the end, heartfelt movie.
(Notice I am using the word awesome a lot, because one cannot stop singing the "Everything is awesome" song played in the movie. Too catchy!)
The creators did a wonderful job putting all the classic things about Legos and making a new movie packed with humor.
The voice actors were outstanding. You can tell they really enjoyed doing the movie and put in a lot of effort. Liam Neeson was fantastic as the Good Cop/Bad Cop. But the most credit to the success of this movie goes to Will Farrell who played the villain, President Business. He gives such a great effort in this movie which allows you to laugh, smile, and want more Lego awesomeness.
I give the Lego movie a big two thumbs up and is by far the best picture I've seen in a few months. Highly recommend this movie to all Lego lovers who have a passion to build and create something awesome, just like the movie makers created this amazingly, AWESOME, film.
Showing posts with label Animation. Show all posts
Showing posts with label Animation. Show all posts
Monday, January 12, 2015
Sunday, January 11, 2015
Meet the Robinsons (2007) Back to the Future meets The Incredibles
Movieshared.net - Somewhere Walt Disney must be smiling. "Meet the Robinsons" is the perfect, unlikely marriage of manic, absurd humor, eye-popping visuals and honest-to-goodness emotional depth. It is a close cousin to the first "Back to the Future," yet it feels completely original at the same time. The 3-D animation works seamlessly within the story. It is not played for a cheesy gimmick (like, for example, "Spy Kids 3-D"...groan). In fact, it is so well integrated into the narrative that you could almost take it for granted, so it's a good thing that at the heart of "Meet the Robinsons" there is a wonderfully entertaining story. In typical Disney fashion the central character is a motherless (and in this case, fatherless) youth -- however this time it is not merely a device whose sole purpose is to leave him unencumbered to embark on his own adventure. In fact, his orphaned status and quest to find the mother that left him at the orphanage as a baby IS the point of his journey. But there's no room for sugary sap here, thanks to an almost unending stream of quirky characters and plot twists. Of course stories like this can't succeed without a great villain. In this case the filmmakers have managed to craft a bumbling villain who is simultaneously hilarious, sympathetic and just menacing enough to keep the tension going. He reminded me of Snidely Whiplash, Mack the Knife, and the magician from Rankin-Bass' "Frosty the Snowman," all rolled into one.
This movie has all the seat-of-your-pants fun of a great amusement park ride and still manages to make you (well...me) cry at the end. The deft combination of love and laughs results in a movie that stays with you well after the lights have come up, leaving you wanting more. It is rare nowadays for and entire audience of moviegoers to spontaneously burst into applause at the end, but that's what occurred when the credits began to roll for this film. "Meet the Robinsons" is loaded with enough heart, rapid fire jokes and blink-and-you'll-miss-them sight gags to make it worth repeated viewings
This movie has all the seat-of-your-pants fun of a great amusement park ride and still manages to make you (well...me) cry at the end. The deft combination of love and laughs results in a movie that stays with you well after the lights have come up, leaving you wanting more. It is rare nowadays for and entire audience of moviegoers to spontaneously burst into applause at the end, but that's what occurred when the credits began to roll for this film. "Meet the Robinsons" is loaded with enough heart, rapid fire jokes and blink-and-you'll-miss-them sight gags to make it worth repeated viewings
Saturday, January 10, 2015
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) DVD Online
What a fabulous movie! I just saw a screening of it (with a bunch of other actors and writers) and the whole place burst into applause at the end.
Tilda Swinton is amazing as the White Witch. Her cold, evil gaze could freeze anyone.
I loved the kids - especially the little Georgie Henley, who played Lucy. Liam Neeson as the voice of Aslan was suitably majestic and comforting and grand.
It was beautifully filmed, and I felt Narnia was perfectly realized.
Looking forward to the movies that will follow.
I saw this film on November 30th in Indianapolis. I am one of the judges for the Heartland Film Festival that screens films for their Truly Moving Picture Award. A Truly Moving Picture "…explores the human journey by artistically expressing hope and respect for the positive values of life." Heartland gave that award to this film.
Four young children enter the timeless world of Narnia through the door of a wardrobe piece of furniture while playing hide-and-seek. And what a world it is. There are talking animals, dwarfs, giants, beasts, centaurs, and indescribable half-human combinations. And, in this world of Narnia there is a titanic struggle between the White Witch and her evil army and the good lion Aslan and his noble army.
Although it doesn't seem possible, you can suspend disbelief and become engaged in the story because the artistry and technology are so outstanding. The art direction, special effects, cinematography, editing and sound will most likely and should be nominated for Academy Awards. The lion Aslan dominates your attention in every scene he appears in, and as the story unfolds, he becomes as human-like as any of the four children.
The four children seem normal enough with their constant teasing and fighting among themselves, but when events truly matter, they come together and exemplify the highest standards of sacrifice, courage, fidelity and heroism. Both children and adults will find inspiration and role models in these four children.
Tilda Swinton is amazing as the White Witch. Her cold, evil gaze could freeze anyone.
I loved the kids - especially the little Georgie Henley, who played Lucy. Liam Neeson as the voice of Aslan was suitably majestic and comforting and grand.
It was beautifully filmed, and I felt Narnia was perfectly realized.
Looking forward to the movies that will follow.
I saw this film on November 30th in Indianapolis. I am one of the judges for the Heartland Film Festival that screens films for their Truly Moving Picture Award. A Truly Moving Picture "…explores the human journey by artistically expressing hope and respect for the positive values of life." Heartland gave that award to this film.
Four young children enter the timeless world of Narnia through the door of a wardrobe piece of furniture while playing hide-and-seek. And what a world it is. There are talking animals, dwarfs, giants, beasts, centaurs, and indescribable half-human combinations. And, in this world of Narnia there is a titanic struggle between the White Witch and her evil army and the good lion Aslan and his noble army.
Although it doesn't seem possible, you can suspend disbelief and become engaged in the story because the artistry and technology are so outstanding. The art direction, special effects, cinematography, editing and sound will most likely and should be nominated for Academy Awards. The lion Aslan dominates your attention in every scene he appears in, and as the story unfolds, he becomes as human-like as any of the four children.
The four children seem normal enough with their constant teasing and fighting among themselves, but when events truly matter, they come together and exemplify the highest standards of sacrifice, courage, fidelity and heroism. Both children and adults will find inspiration and role models in these four children.
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UP (2009) Drag me to heaven
Movieshared.net - UP, Pixar's latest animated feature, is just delightful. But how do you go about extolling the movie's virtues without giving away its surprises? Like the kid at the beginning of the movie, you don't try to conquer the immovable force; you work around it.
The one clue I can give away – because it's the movie's heavily hyped premise – is that Carl Fredrickson, a gruffy old widower (voiced with gruffy old charm by Ed Asner), miraculously inflates enough balloons to use his house as an aircraft. Soon, he finds himself reluctantly sharing his ride with a short-attention-spanned kid named Russell.
I'll also mention a couple of other items that can gauge your potential interest in the movie. One is a gag that is a take-off on a famous painting – perhaps too inside of an inside joke, but typical of Pixar's cheery attempts to appeal to viewers of all ages.
Also, part of the plot involves Carl's long-held wish to meet a Lindbergh-type adventurer named Charles Muntz (Christopher Plummer!). This is another in-joke that's even vaguer than the first one. Cartoon historians know that Walt Disney started in the cartoon biz by creating Oswald the Rabbit for producer Charles Mintz, who then greedily stole the rights to Disney's creation. This gives you a pretty good idea where the ostensible hero Muntz stands in the scheme of things.
Beyond that, I can only offer you some enticing clues about the characters. There's a dog who's the leader of his pack and in menacing beyond measure, until he opens his mouth and gets one of the movie's biggest laughs. There's a huge, awkward bird that is a big laugh-getter at first. Then she becomes a real enough character that – at least in the audience I was in – when she's injured, she elicits screams of fright worthy of Bambi's late mother.
There's surprising, heartfelt emotion, vivid imagery (you can almost touch the landscapes and skies), and a music score by Michael Giacchino that's practically a character in the movie – particularly in a thoughtful montage that takes Carl from childhood to widowhood.
There aren't many (or at least not enough) live-action movies that are engrossing as this cartoon. Pixar Studios has gotten to be one of those movie icons that shouldn't even have to deliver a premise to get funded anymore. The moneymen should just shut up, hand over the money, and trust they'll get a product that will appeal to everyone.
UP is only the second Pixar feature to get a PG rating, only for mildly intense imagery and action – nothing off-color in the least. Again, if you can handle "Bambi," this film should be a breeze.
The one clue I can give away – because it's the movie's heavily hyped premise – is that Carl Fredrickson, a gruffy old widower (voiced with gruffy old charm by Ed Asner), miraculously inflates enough balloons to use his house as an aircraft. Soon, he finds himself reluctantly sharing his ride with a short-attention-spanned kid named Russell.
I'll also mention a couple of other items that can gauge your potential interest in the movie. One is a gag that is a take-off on a famous painting – perhaps too inside of an inside joke, but typical of Pixar's cheery attempts to appeal to viewers of all ages.
Also, part of the plot involves Carl's long-held wish to meet a Lindbergh-type adventurer named Charles Muntz (Christopher Plummer!). This is another in-joke that's even vaguer than the first one. Cartoon historians know that Walt Disney started in the cartoon biz by creating Oswald the Rabbit for producer Charles Mintz, who then greedily stole the rights to Disney's creation. This gives you a pretty good idea where the ostensible hero Muntz stands in the scheme of things.
Beyond that, I can only offer you some enticing clues about the characters. There's a dog who's the leader of his pack and in menacing beyond measure, until he opens his mouth and gets one of the movie's biggest laughs. There's a huge, awkward bird that is a big laugh-getter at first. Then she becomes a real enough character that – at least in the audience I was in – when she's injured, she elicits screams of fright worthy of Bambi's late mother.
There's surprising, heartfelt emotion, vivid imagery (you can almost touch the landscapes and skies), and a music score by Michael Giacchino that's practically a character in the movie – particularly in a thoughtful montage that takes Carl from childhood to widowhood.
There aren't many (or at least not enough) live-action movies that are engrossing as this cartoon. Pixar Studios has gotten to be one of those movie icons that shouldn't even have to deliver a premise to get funded anymore. The moneymen should just shut up, hand over the money, and trust they'll get a product that will appeal to everyone.
UP is only the second Pixar feature to get a PG rating, only for mildly intense imagery and action – nothing off-color in the least. Again, if you can handle "Bambi," this film should be a breeze.
The Boxtrolls (2014) A fun film, Roald Dahl like darkness
Movieshared.net - The "animation" genre now has a common trait: it is known for broader gags, bullet speed pacing, and eye candy visuals, but out of many animation studios out there, Laika Entertainment could be the only one that stays loyal to their own direction. Aside of the stop- motion animation and love to the horror movie camp, their storytelling and themes are equally unconventional, though charmingly daring at best. The Boxtrolls is no different from their last two movies, except this one might be gentler, but the strangeness is still there intact. And by those merit, the experience becomes special.
It might get immediately be assumed that the film has the same moral of 2012's ParaNorman. It does have that feeling: strange people being treated as outcasts by everybody and describes their fear to them out of caricatures. But the film tends to explore more messages beneath besides of that, if you can get behind with the whole rescue plan stuff, you may also get to notice that it's really about separating people's common views and expectations from the reality; like the Boxtrolls they're against with aren't actually bad creatures, or some fathers turn out to be not as supportive as they're supposed to be, or even the difference between being good and bad. The sentiment may sound a little familiar, but the delivery here is often steady and bitter to acknowledge its sincerity, and it indeed makes it remarkable.
As for the animation, there's no hiding for the love of the horror movie aesthetics. The world already looks magnificently whimsical as the filmmakers transcend their stop-motion animating abilities by making grander and crazier set pieces and physical comedy, but when it comes to featuring its creature and character designs, the camp just brings lots of it to life, some parent might find it a little creepy for smaller children, but if they don't even bother then there is no denying how beautiful they're designed anyway. In another angle, it offers a larger extent of warmth compared to many family movies today. The nearly wordless montage of the Boxtroll Fish raising young Eggs is one of the sweetest things you would see in recent memory, while the sadder montage at the middle act could surprisingly be affecting. These storytellers just know how to drive emotions. Among the voice actors, Ben Kingsley predictably becomes the best. He brings the main pizazz as both the villain and his hilarious drag disguise. Isaac Hempstead Wright and Elle Fanning are great as well, giving their characters the personalities they need. There are more big names (mentioning the favorites like Simon Pegg and Richard Ayoade) that bring the extra fun of the film.
The Boxtrolls is probably going to be the least attraction for the animation genre this year, mostly because it's nearly apart from the comfort zone of today's entertainment. If you don't care about trends, then this movie is a treat, and as usual from its studio, the overall film is dark, campy, but visually stunning and eventually endearing. They still haven't changed and I hope it always stays that way, especially the monster movie tribute and strong heart and perspective towards things. The Boxtrolls proves that these types of animated films shouldn't be antique yet, there is a huge value to its quality and moviegoers should once again encounter it
It might get immediately be assumed that the film has the same moral of 2012's ParaNorman. It does have that feeling: strange people being treated as outcasts by everybody and describes their fear to them out of caricatures. But the film tends to explore more messages beneath besides of that, if you can get behind with the whole rescue plan stuff, you may also get to notice that it's really about separating people's common views and expectations from the reality; like the Boxtrolls they're against with aren't actually bad creatures, or some fathers turn out to be not as supportive as they're supposed to be, or even the difference between being good and bad. The sentiment may sound a little familiar, but the delivery here is often steady and bitter to acknowledge its sincerity, and it indeed makes it remarkable.
As for the animation, there's no hiding for the love of the horror movie aesthetics. The world already looks magnificently whimsical as the filmmakers transcend their stop-motion animating abilities by making grander and crazier set pieces and physical comedy, but when it comes to featuring its creature and character designs, the camp just brings lots of it to life, some parent might find it a little creepy for smaller children, but if they don't even bother then there is no denying how beautiful they're designed anyway. In another angle, it offers a larger extent of warmth compared to many family movies today. The nearly wordless montage of the Boxtroll Fish raising young Eggs is one of the sweetest things you would see in recent memory, while the sadder montage at the middle act could surprisingly be affecting. These storytellers just know how to drive emotions. Among the voice actors, Ben Kingsley predictably becomes the best. He brings the main pizazz as both the villain and his hilarious drag disguise. Isaac Hempstead Wright and Elle Fanning are great as well, giving their characters the personalities they need. There are more big names (mentioning the favorites like Simon Pegg and Richard Ayoade) that bring the extra fun of the film.
The Boxtrolls is probably going to be the least attraction for the animation genre this year, mostly because it's nearly apart from the comfort zone of today's entertainment. If you don't care about trends, then this movie is a treat, and as usual from its studio, the overall film is dark, campy, but visually stunning and eventually endearing. They still haven't changed and I hope it always stays that way, especially the monster movie tribute and strong heart and perspective towards things. The Boxtrolls proves that these types of animated films shouldn't be antique yet, there is a huge value to its quality and moviegoers should once again encounter it
Saturday, December 27, 2014
The Nut Job (2014) Online DVD Quality
Frozen (2013) Disney's Best in 20 years
Penguins of Madagascar (2014) Digital Premiere
Watch Penguins of Madagascar (2014) Online
I am honestly surprised that this movie did not do as well in the box office as DreamWorks anticipated. I am not normally a fan of animated movies intended for families and children, however I made an exception and went and saw this movie in theatres to give it a fair chance. After doing some research online and reading that some people see this movie as a failure, I decided to create my very first review. Overall, I thought that this movie was adorable. It had a humorous, intriguing storyline that really showed that back story of how the penguins of Madagascar came to be. I found that we really got to know the characters this time around and they were quite developed. There were even some subtle adult jokes within it. It truly catered to almost all needs. The only reason I am not rating it a ten is because some parts could be considered frightening or intense for the younger kids. Also, there were parts of the story, mainly at the end, that didn't completely make sense. But I would recommend this movie to a friend.
Tuesday, December 23, 2014
Watch Up (2009) Online
UP, Pixar's latest animated feature, is simply pleasant. however however does one set about extolling the moving picture's virtues while not gifting away its surprises? just like the child at the start of the movie, you do not attempt to conquer the immoveable force; you're employed around it.
The one clue I will disclose – as a result of it is the movie's heavily hyped premise – is that Carl Fredrickson, a gruffy previous man (voiced with gruffy previous charm by erectile dysfunction Asner), miraculously inflates enough balloons to use his house as associate degree craft. Soon, he finds himself reluctantly sharing his ride with a short-attention-spanned child named Russell.
I'll additionally mention a few of different things which will gauge your potential interest within the moving picture. One may be a gag that's a take-off on a illustrious painting – maybe too within an interior joke, however typical of Pixar's cheerful tries to charm to viewers of all ages.
Also, a part of the plot involves Carl's long-held want to fulfill a Lindbergh-type adventurer named Charles Muntz (Christopher Plummer!). this is often another jape that is even vaguer than the primary one. Cartoon historians grasp that filmmaker started within the cartoon line by making Oswald the Rabbit for producer Charles Mintz, World Health Organization then avariciously scarf the rights to Disney's creation. this provides you a reasonably smart plan wherever the ostensible hero Muntz stands within the theme of things.
Beyond that, I will solely give you some attractive clues concerning the characters. there is a dog who's the leader of his pack and in alarming on the far side live, till he opens his mouth and gets one among the movie's biggest laughs. there is a large, awkward bird that's a giant laugh-getter initially. Then she becomes a true enough character that – a minimum of within the audience i used to be in – once she's contused, she elicits screams of fright merit Bambi's late mother.
There's shocking, dear feeling, vivid representational process (you will nearly bit the landscapes and skies), and a music score by archangel Giacchino that is much a personality within the moving picture – notably in a very thoughtful paste-up that takes Carl from childhood to widowhood.
There are not several (or a minimum of not enough) live-action movies that ar gripping as this cartoon. Pixar Studios has gotten to be one among those moving picture icons that should not even got to deliver a premise to induce funded any longer. The moneymen ought to simply shut up, turn over the cash, and trust they're going to get a product that may charm to everybody.
UP is merely the second Pixar feature to induce a PG rating, just for gently intense representational process and action – nothing off-color within the least. Again, if you'll handle "Bambi," this film ought to be a breeze.
Watch Up (2009) Online Streaming
The one clue I will disclose – as a result of it is the movie's heavily hyped premise – is that Carl Fredrickson, a gruffy previous man (voiced with gruffy previous charm by erectile dysfunction Asner), miraculously inflates enough balloons to use his house as associate degree craft. Soon, he finds himself reluctantly sharing his ride with a short-attention-spanned child named Russell.
I'll additionally mention a few of different things which will gauge your potential interest within the moving picture. One may be a gag that's a take-off on a illustrious painting – maybe too within an interior joke, however typical of Pixar's cheerful tries to charm to viewers of all ages.
Also, a part of the plot involves Carl's long-held want to fulfill a Lindbergh-type adventurer named Charles Muntz (Christopher Plummer!). this is often another jape that is even vaguer than the primary one. Cartoon historians grasp that filmmaker started within the cartoon line by making Oswald the Rabbit for producer Charles Mintz, World Health Organization then avariciously scarf the rights to Disney's creation. this provides you a reasonably smart plan wherever the ostensible hero Muntz stands within the theme of things.
Beyond that, I will solely give you some attractive clues concerning the characters. there is a dog who's the leader of his pack and in alarming on the far side live, till he opens his mouth and gets one among the movie's biggest laughs. there is a large, awkward bird that's a giant laugh-getter initially. Then she becomes a true enough character that – a minimum of within the audience i used to be in – once she's contused, she elicits screams of fright merit Bambi's late mother.
There's shocking, dear feeling, vivid representational process (you will nearly bit the landscapes and skies), and a music score by archangel Giacchino that is much a personality within the moving picture – notably in a very thoughtful paste-up that takes Carl from childhood to widowhood.
There are not several (or a minimum of not enough) live-action movies that ar gripping as this cartoon. Pixar Studios has gotten to be one among those moving picture icons that should not even got to deliver a premise to induce funded any longer. The moneymen ought to simply shut up, turn over the cash, and trust they're going to get a product that may charm to everybody.
UP is merely the second Pixar feature to induce a PG rating, just for gently intense representational process and action – nothing off-color within the least. Again, if you'll handle "Bambi," this film ought to be a breeze.
Watch Up (2009) Online Streaming
Stand by Me Doraemon (2014) Download
Japanese auds love a decent cry (which explains why the motion-picture show poster options a photo of Doraemon with tears in his eyes), and also the film exploits Doraemon’s reluctant farewell, knowing that for domestic auds a minimum of, it represents forty five years of recollections. For foreigners, it'd appear odd however typically and the way simply Noby cries. The poor child very have to be compelled to pull it together: He’s perpetually embarrassing himself, sobs at nearly each reversal, will hardly manage to stay his pants up and overreacts most that he makes hyperventilating action star religious sect LaBeouf look calm by comparison. But then, that’s why he’s worth of Doraemon’s facilitate within the initial place.
Download Stand by Me Doraemon (2014) HD 720p English subtitle
Download Stand by Me Doraemon (2014) HD 720p English subtitle
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